Well, hello. I’m Gail Hoag. 

And I’m Gregory Hoag. 

And we hope you had a wonderful week. We are here to bring you class five of the program. Universal Secrets revealed. Activate your core of love and power. We’ve got a great program set up for you. So what we always like to do is get started first with an attunement to help you get present and centered and relax and ready to absorb all of this wonderful, wonderful, sacred geometry and universal information that’s coming your way. So. Here we go. Let’s get started. Let’s begin by getting center through the heart. If you have a heart companion or an eye connect. Place it near your heart chakra. By relaxing and expanding your heart center, you can connect more fully and receive the wisdom and love the universe offers. Invite your higher knowing to work with you. 

Take a few gentle breaths, focusing on your heart center. Relax and enjoy the feelings and the moments of inspiration that follow. Take a few slow, deep breaths, feel your body, relax as you breathe. Release any tension you may notice in your face. Jaw, neck. And shoulders in your back. And lower body. Continue to breath. And allow your breath to bring a peaceful state to any areas of your body that feel tight. Relax the muscles that are holding tension. You are here now. And free of those distractions. Just free and allow yourself to drift. Before there was a physical world, there was a flow of endless energy. There was nothingness. Silence. Stillness. Within that void is an internal expression of consciousness, an extraordinary creative spirit that contains the urge to endlessly create. 

It is the realm of full potential, all possibilities and blessings. Take a moment to connect with the creative spirit. Feel the love and light that is the fabric of this consciousness. Relax into the wonder of life’s expression. Breathe in your connection to the creative spirit of all life. Feel the love. Feel the joy and infinite possibilities offered here and now. This is within you. And all around you. You are all this. The ocean of creation is within your being. Your consciousness creates resonance that directs the creative forces to generate an abundance of outcomes. The precise way your mind, body and spirit are structured resonate with all life around you. The universe is not only your home, it is you and you are it. Allow yourself to expand into the oneness and magnificence of all that is. Take a moment to connect with this flow of energy. The physical world is based on a structure that is born from consciousness. Our feelings, intense thoughts and actions give rise to the growth of this universe. 

Each new form takes on a life that can evolve in a multitude of ways. Consciousness offers the resonance to inspire and direct creation with love being the purest form and highest influence. As we embrace our role as divine co-creators, we can impress life with compassion and loving consciousness for the good of all. As we stay connected, we trust our relationship with source and everything around us. Consciousness is the conductor that molds how this universe evolves. We are more than receivers. We are the rhythm that defines creation. Oh. Breathe in and breathe out. The life force of love is within you and around you feel it’s enlivening and nurturing energy. Notice the vibrational energy you are experiencing so you know what is natural and can return to this resonance. 

Take a few deep breaths and allow yourself to enjoy this full, expanded and peaceful state. Feel the opening in your heart as you breathe and become more centered. Open your mind to allow direction from your soul. Enjoy the love and wisdom within you. This state brings you greater peace, abundance and happiness for all. Feel yourself with gratitude for life, loved ones, and the joy available to you. Take a breath and open your heart to an anchor in these feelings. Now breathe deeply and feel the possibility of all that is. Oh, take a deep, cleansing breath and start drawing your awareness back to you. Gently move your shoulders. Fingers, hips. Feet. Any parts of you? Ready to reawaken. Notice how your feeling and any insights that you’ve experienced? The energy of this attunement will continue to support you as your heart, mind, body and spirit absorb this loving energy. 

Thank you. Thank you. I always enjoy that. It’s such an important part of our day. Important part of everything is to expand to a higher level of consciousness so we can understand the little things going on here all around us. And put it in perspective. Looking down at it and not taking it so personally, but being able to say, oh, that’s what’s going on. So. 

So what’s going on? What are you ready for? 

Well, class five is going to delve into a whole new realm of working with the way that archetypes like the moon, the sun and the earth start relating. We were talking about the numbers, and of course, I haven’t gotten to seven, eight or nine, but we’re going to let that go for a future class, because I really wanted to get in to some deeper stuff in this class. Now, one of the things that I want to begin with is an understanding of some of the numbers there and the different myths that we’re going to be working with today. Why? That’s important. Gram Hancock wrote two books that were especially important in my understanding of past civilizations. One was called The Fingerprints of the Gods, which was written in 95 and the Magicians of the Gods, which was written and published in 2015. 

What Graham was dealing with was a lot of very important information and new scientific discoveries that has shown us that there were definitely some major catastrophes in the form of pieces of a comet striking the Earth about 12,800 years ago or so, and then again about 9600 years ago or so. He put together a lot of valuable information that demonstrated that there were some prior civilizations that existed. Before those catastrophes. And the premise is that some of the information that comes down to us in numbers and myths can be found almost exactly the same numbers all over the world. Similar myths, especially about the deluge that was found probably in over 50 different civilizations, cultures around the world. 

And so what Gail and I remember from our past lifetimes is the way of using some of these numbers for creating resonance and working with a form of technology that involved moving energy from higher dimensions into this dimension. It was a much more refined form of working with reality. And so what we are doing now is revisiting some of these numbers with a different perspective, revisiting some of the numbers that Graham has used, that he’s connected to time, which are all very valid and valuable. But we also see those numbers being used as geometries. And that’s what we’re using to create resonance in the environment. And so that’s what we’re going to be exploring today. 

So we really get a handle on how we can work with energy, because all of this, when we look at numbers, they’re not just abstract. They relate to how the universe is structured, they relate to energetics. And we’re moving into a time where it’s really important for us to have that understanding of energetics, because we can work with that technology in a very beneficial way. 

So that’s what we’re going to dive into today. And I’m happy to jump into it now. This is class five. We’re going into a lot. I wanted to remind you that when we were going through the last class, we were working with 60 degrees, 60 degrees a lot. And earlier on, we had also talked about the fact that the plane of our solar system, you see all the planets basically revolve around the sun in a plane. And that plane is at a 60 degree angle to the Milky Way galaxy. Thus, 60 degrees is resonant with the Milky Way, and it’s an important aspect of creating relationship. 

Now, something else that happened was that I had always thought of this statement, you know, in the Bible talks about the four corners of the world and gathering people from the four corners. And it shows up in a lot of myths as well. Four Corners. And even the symbol astrologically for the Earth is a circle with a cross in it the four directions. And whenever I heard that in my mind, I just sort of let it go, thinking that, oh. This is. A square. Something like what you see right here. I don’t know what you thought of when you hear that, but that’s where my mind went. And then what happened? Is. I was reading something in one of Graham’s books where he was talking about In Ancient Myths, there are the four props of the sky, and they are the four bands that frame, support and define. 

And then right away in my head, I realized it was the entire world. That the four bands were defining and it was three dimensional. So all this time I’ve been thinking the four corners again I was thinking to the old paradigm flat, and yet it’s really a three dimensional geometry. And that’s the divine integrator that we’ve been talking about. That. Exists with four bands. And so I realized again, right there in ancient myth. Although I’d been reading it as the Four Corners Thinking Square, it’s really the four bands that, yeah, there it is, the four ness in this direction. And so that was a revelation for me to shift my mind frame again. And this just happened the week I was putting all these slides together. So now I want to jump into the platonic solids again. We’ve talked about them without really dealing with some very much. But of course, the tetrahedron is made up of four triangles of 60 degrees and it deals with fire. 

And fire is transformative. So all the names, it doesn’t literally mean fire. It means fire in the sense of the metaphor, the understanding, the transformative aspects. It’s the first platonic solid to be created as we shared. So it’s moving energy from a higher dimension, and it’s very fiery in nature because it does move a lot of energy. That’s why I said, you never want to build a tetrahedron and live in it or meditate in it. You need balance. So octahedron dealing with air, which is about the breath and about moving in and out and about that transformative aspect of speech. And the breath is what connects us to consciousness. And there are different levels of care as understood by the Greeks and air of the earth, and a higher one that is more aligned with the ether of the dodecahedron. Of course, the cube, also known as the Hexahedron in Greek, is dealing with physicality and the earth. The icosahedron in water is really. 

A transformative element. The icosahedron is a higher vibrational, platonic solid. It is working with moving energy from the higher dimensions into the physical dimension, which is partially what water does. It’s one of those physical elements that aligns with the higher dimensions. That’s why amoto showed that it could be transformed or hold the energy of thought patterns. So positive, loving thought patterns can shift water because water is in that realm of moving between the higher and the lower physical. Plus, it’s something to pay attention to when you work with water. That’s why a shower can clean the aura, whereas when you bathe it kind of keeps it all around you. 

It’s not as cleansing unless you want to put salt or some other material that can draw negative energy out of your body. And of course, we’ve talked about the dodecahedron working with the higher realms, and that’s working with the ether. So the five platonic solids, all the faces are identical in each one. They’re either all triangles, squares or pentagons. And all the angles and edges are the same on each face. So this is what defines a platonic solid. They’re named after Plato, who was a Greek philosopher who lived a couple thousand years ago. However. Even though he used them to describe things in his tameyes and they were considered building blocks for creation. There’s an understanding that Pythagoras, over 500 years before him, was using the platonic solids, and they even have been found in a car form that has been proven to be over 10,000 years old, perhaps going back to that earlier civilization. 

That is pre flood, pre diluvian. But really, how old are they? Let me demonstrate something now that I find really exciting, and that is if you take a tetrahedron and all the degrees on the surface of it and you add it to an octahedron. And all the degrees on the surface of a dodecahedron that total is 8640. And if you multiply that times a hundred. You get? The diameter of our sun. Now let’s take a tetrahedron and an octahedron. And this time add a cube. And an icosahedron. And then you have a total number of 7920 degrees. If you turn that into miles, you have the diameter of the earth. 

Okay. Let’s. I look at the hexahedron alone with 2160 degrees is equal to the number of miles in the diameter of the moon. I mean, what are the chances of this happening? What this is really demonstrating is that these numbers, these geometries existed before this sun was created, before the earth and moon were created. They are following a pattern that is universal in nature. These geometries, the platonic solids existed before our reality existed. That’s how old they are. Beyond age, beyond creation. They are divine archetypes. And this is what we’re going to be talking about more and more. You know, it’s amazing when you look at it, if a circle didn’t have 360 degrees, none of this would work. 

If a circle in 360 wasn’t equal to a square with 360, and thus all the geometries have the angles they have. This wouldn’t work if the thing we call a mile. Wasn’t that distance. None of this would line up. All of these things are lining up because they’re archetypes that existed before we think we discovered them or built them around. How long soldiers in Rome could march with a thousand steps or a thousand strides, which gives us the name Mile comes from Rome, but certainly that distance existed long before. We started using. 

You know, what I what I love about all of this is that I think each person has something inside of them that wants to understand. Our individual relationship to the universe. We want to know who we are. How did we get here? What does it mean? What is this planet? In relationship to who? Who I am. And all of the celestial bodies. And to gather this knowledge now. And to feel that there is real. Like a real coming home, like some structures, some essence, some truth into being able to find our place within all that. It’s not just randomly being dropped off somewhere, but instead there is a divine relationship and it doesn’t have to be in the context of anything that’s religious. However, it is in the context of what I relate to is spiritual, that there is something here that is about the creative spirit. 

And when I think about creativity, because my background as an artist. Links me back into that. It helps me to remember that when I am in a creative mode where I’m working on a painting or writing or doing something. The most fantastic feeling is when I feel like I am being just connected with where my hands are being moved by that, by that essence, by that spirit. And when I see all this, it resonates with me. It tells me that indeed there is this unity, this magic, this, this resonance, this. Relationship that indeed all of this has this wonderful connection. And I find that just really important on a very deep level. 

So in essence, you don’t have to believe that all of this exists before or whatever. However, it’s obvious that these are really divine archetypes that they are involved with the way the sun, the moon and the earth have been created, and that if we want to also be in that same field of energy, then we need to be working with these geometries in a similar way in our life so we can have that experience. That’s really what it comes down to is scale saying is creating that relationship. So working with. The Platonic solids are. Another thing I wanted to point out was that all of these numbers, of course, reduced to nine. At least we forget our old friend nine, the basis of holding all the divine aspects of creation. 

So archetypes are the structural components of creation that arise from consciousness. So that’s what we’re really working with when we’re working with these geometries and forms. We’re working with. A very close relationship with consciousness. And they are immutable. That means they never changed. They have been this way from the beginning, and they will be after the end forever. And they’re universal throughout every aspect of the creation that we can view, no matter how far out we look into the universe. So now I want to show you these numbers are not just kind of. New Age willy nilly. Kind of close. But let’s look at the earth a little bit deeper. So you see, the equator is really about 79. 26. So it’s a little more than 7920. And that’s a good thing, because if the Earth weren’t fatter at the middle, it would it would not be as stable. When it turns, it evolves. So revolves, I should say. 

Now, the polar diameter is less because it’s fatter in the middle. So there’s a 26 mile difference between the polar diameter and the equatorial diameter. Now, if we were to take the Tropic of Cancer. And the Tropic of Capricorn, which exists at the same latitude beneath the equator. Both of them 23 and a half degrees away from the equator. And if we diagonally cut across the earth at that point, then we find 7920 miles. Exactly. Furthermore, if you were able to take the entire planet and smoosh it into a smooth sphere. Then ideally. This perfect sphere, that perfect sphere of the earth would be 7920 miles, which speaks to us about the difference between the divine archetype and the reality. 

The reality of it shifts by a little bit from what has been divinely decreed or divinely constructed. And so that’s an interesting metaphor, speaking to that reality. So let’s take our earth. And again, remember, the cube of space is equal to the diameter of the moon. But in this case, we’re going to add the moon. To the diameter of the earth. Now we get a geometry because the addition of those two diameters is 10,080. And when we turn that into degrees, so miles into degrees, if the mile were different, if degrees were different. None of this would work. It’s also perfect the way it works. But this is our sphere of health that we’ve talked about before and working with. It’s. 

Actually created by combining the icosahedron and the dodecahedron together. And when you interpenetrate those two, they’re called duals where one goes inside the other and then you cut off the points. You end up with this geometry. an icosidodecahedron. It has 32 faces total a very important number that we’ll talk about how in way future classes. But that 20 triangles of the icosahedron and the 12 pentagons of the dodecahedron are both in there. And when you turn all those lines into great circles, there are six of them. And that’s what gives us our sphere of health. And just to remind you that 720 is still at play here. All of these geometries reflect multiples of that perfect 720 we found with a hexagon and with a tetrahedron. 

Ha. So now. We’re working with the. 12 face dodecahedron innerpenetrating the icosahedron and that if you go to. The Center Cross where you have the dodecahedron crossing, the icosahedron, you have the five ratio, 1.618. So here it is. If with all the points on it, where you see the dodecahedron poking through the icosahedron, they’re coming through each other and. If you cut off those points, that’s where we got the geometry that you just saw, where we turned it into the sphere of health. And that sphere of health. As you can see from this, it is intimately involved with the five ratio. That’s how everything organic has been built. So the moon and the earth together are resonating in such a way as to resonate with life. So the way organic life is found again and again, everywhere within our system, within our reality, within our world. It happens because that’s the way the moon and the earth have been dancing since the beginning. Their diameters have set them up to dance with this harmonic resonance. 

See, we’re jumping from diameters, and that’s what measure is all about. It’s a harmonic of time in a harmonic of space. They all work together, just like a C tuning fork, resonating with a C tone. That means that the geometry and the measure of the moon and the earth with their diameters of 10,080 miles. And we saw the geometry that that created that that’s resonant with the sphere of health with 10,080 degrees. Well, time itself, if you look at how the world was created in seven days in the Bible, that information comes out. And yet it’s coded information because those seven days times, 24 hours in a day time, 60 minutes in an hour gives is 10080 minutes. You see how it’s all set up to work together? Time is part of the whole dynamic and it’s what everything in geometry and in space end up resting in the cradle of time. So everything in universe connects through resonance. 

So in Genesis, God creates everything in seven days, as we just talked about. And the first day begins with light. So. Light that we see is only a very tiny bit of the whole energy spectrum. Actually .003 5%. Not much at all because that energy spectrum, it goes from radio waves to gamma waves. It is a wide spectrum of energy and our environment has been filling up. Since. Tesla lit up the World’s Fair with more and more frequencies of energy. Now the quantum energy packet that moves all of this. From one end of the spectrum to the other. It’s the same element called a photon. It’s the carrier of everything. In the energetic realm. Now recently, two Polish scientists, they created an image of a single photon. And. I remember listening to David Wilcock. See that this was a star tetrahedron. And I agreed with him. I saw it perfectly. And then we went even further with that information, because the photon hits the foundation particle of a fractal universe and it is the star tetrahedron. 

It is the carrier of all the energy in the physical and even in the higher dimensional realms. The interesting thing about the star tetrahedron, it’s. Got eight points. Each one of those points has three equilateral triangles, and there’s 180 degrees in each one of those triangles, times three equals 540 degrees. Times the eight points equals 4320 degrees. And this is why that number resonates with. The sun’s radius is 432,000 miles. The speed of a photon that comes out from that sun is 432 squared. Which is 186,624. It’s only a few miles off from what Einstein predicted it to be, which is within 0.2%. So the photon. Is resonant with the sun and light itself. So to moons added together with their diameters. Are also equal to that same number of 4320. Now, if you multiply that times 100, that’s where you get the radius of the sun. So you see, the moon is a fundamental with light as well. 

And if you take the moon and you add it to the sun with the sun’s diameter, then we have a new number, a number that has been shared with us from ancient times by a number of different societies, or at least we find it in different ancient myths. And what I’ve done here is I’ve turned the diameter of the sun into the same magnitude as the moon by cutting off two of the zeros. So 8640 added to the diameter of the moon. So bringing them into the same magnitude, that’s where we get 10,800 miles, and that’s equivalent to seven and a half days of time. Which time? 60 Minutes gives us 10800 minutes. However, the interesting thing. again. Everything in the universe connects through resonance. And. The rigveda is a 4000 year old Vedic scripture and. It has 10,800 stanzas with 40 syllables to each stanza. Now. It’s also the same number of bricks in the Indian Fire altar. And I’ve tried to share this information with other sacred geometries, but they kind of said,. 

Oh, you just knock off the zeroes. You have 100 and 808. It’s 36. By 72, it gets back to the same old, same old stuff. But I think something else is going on here, because when you have those stanzas and the syllables in each standard, when you multiply that 10,800 times that 40, you get 432,000. Again, the radius of the sun. And you’re still working with the photon and that number, however, 10,800, when you bring it into geometry, that’s where you get something like this. Star dodecahedron. Or the unity grit that we’ve talked about before also has 10,800 degrees. And a star icosahedron. That is when you put a little point on each face of the icosahedron so that it’s in a five ratio relationship, that’s when you get 10,800 degrees. And this star dodecahedron is also working with a five ratio relationship. That means if I connect all the points of the star dodecahedron, I’m going to get an icosahedron on the outside. 

And if I connect all the points of the icosahedron, the star icosahedron, I’m going to get a dodecahedron. They go back and forth in and out of each other infinitely. And of course, this number is a multiple of 720 degrees. But 10,800 is more than just one eight. Now we’re going to dove into an ancient Norse. myth And this is dealing with the final battle of the gods attempting to restore order. And they talk about 500 doors and 40. There are, I mean, in Valhalla walls. 800 fighters through each door. Warfare. Went to war with a wolf. They go. Well, that 540 there. That’s, of course, the Pentagon. And if you multiply that times, the 800 fighters that come through, you get 432,000. Again, a number resonant with the radius of the sun. But there is even more. If we go back to the photon itself, a star tetrahedron, as we saw earlier, it has eight points. 

And each one of those points has 540 degrees and eight times 540 is 4320. And so by raising that two magnitudes to 800 fighters, that’s where we get the radius of the sun. However, something is going on here. I believe from what I remember and Gail and I have talked about this, what was going on with this civilizations before the flood over 9600 years ago and over 12,000 years ago, there was an understanding of light and understanding of the higher dimensions and understanding that they knew that the star tetrahedron was at the base of everything. 

Yeah. You know, this is really important. I know on one hand, it seems really abstract to be looking at all these numbers, except for the fact that we keep seeing this repetition of these numbers over and over again. So I like to look at. What does it really mean? And when we think about how everything is based on resonance in order to really be co-creators. We need to understand what that resonance means. You know, for instance, if somebody says, well, you know, I really resonate with that, what does that mean? It means that there’s truth there. There’s something that rings in a way that says yes, not only do I understand it, but I take it into a place where it instructs my life. And that is an important part of all this, that these numbers, these are relationships. 

Give us instruction there a guidebook to help us know how. How to work. How we can continue to create. We’re in a very, very catalytic and very important time right now, very transformational. And the more that we understand how things really work when it gets to, you know, like the the core, the better equipped we are. So when we talk about resonance and we show that everything, everything in nature, that the celestial bodies that time itself, when we can relate all of these different components to space and time and see these frequencies, these resonances that tell us. Follow the importance, follow the message. 

Many of the ancient scriptures, many of the more mystical teachings never told you exactly what it was. There were parables. There were different ways of getting your creative juices going to interpret what was going on. And that’s where we are right now to be engaged as creators. It’s not like when we go to school because school, the way that it’s structured has us remember information or. But we’re talking about the real memory of information. To know where it is resonate with us. Not by trying to regurgitate. What some teachings are, but instead understanding the essence of it so that we truly become co-creators. And that’s the magic, I believe, of what this time is about and why all this information is so important. 

Who indeed it is. And I remember when I first started working with metaforms and building tools, and one of the first things people would say to me is, Wow, if you made that bigger, would it be more powerful? And always I heard from my guidance. In some cases, it could be. But what’s more important than size is resonance. So harmonic resonance of form this big may not be as powerful as a form this big, if this is the form that is resonating with universal principles in its measure. So that’s what we did, is we worked with the harmonic of light from there. But we didn’t realize that that’s what we were working with when we were told to work with nine inches as a measure for working with these geometries so they could resonate with light because and that’s a long story of how inches and feet work with resonance with mile and nine is resonant with the 4320. But bottom line,. 

I believe that when we see some of these ancient scriptures and ancient myths and we start interpreting them, the first number is often the geometry, like in the rigveda, the 10,800. First that’s a geometry, then that’s the number of stanzas, and then the syllables in each stanza. You multiply it by now. Multiplication is a transformative aspect of number three. That is, when you work with multiplying, you transform into a new. Revelation. You are working with energy. And so I believe that’s what’s happening here, that in each case. And when we’re back here looking at the Norse myth, you see the 500 doors and plus 40 is working with a geometry. And then you multiply that times a resonance and that’s what gives you the energy input. So geometry is one thing, but when it’s at the right harmonic, then it interacts with being a carrier for the energy and more transformative. 

So when we’re working with the Star Dodecahedron and the unity grid and the star icosahedron, some thing to remember is that they all are filled with pentagons. So that 540 degrees also shows up here in that way. Pentagonal. And the photon itself is resonant with that 540 degrees. So now I’m going to jump into the Giza pyramids. Well, what I want to talk about is some of the understandings of the Pyramid of Giza. And it was really the first form that I worked with. And again, going back to when I first started working with sacred geometry, people would say, Oh, when I told them I was working with geometry that worked with energy, they would say, Oh, are you working with pyramids? Because that was something that was shown to us. I think the first book I saw was in the mid seventies, early seventies, actually. 

And Patrick Flannigan wrote that book on Pyramid Power. So I built a pyramid and I was sleeping in it then and around late seventies. And it was finished in 1980 with a friend. We built a pyramid that at the time cost over 50,000 to build. In today’s dollars, that would be way over 200,000. So we built a pyramid that was very exactly built, had a lot of crystals in it, had gold, silver, ensured the shape itself was working with energy. And that’s what really catalyzed the Kundalini in my body. And I started going through a lot of changes because of working with that shape. So that’s what I want to come back to here to help you understand what’s going on with that pyramid that I believe has been a little bit misinterpreted in the recent understandings. So here, if you look at the height and you look at the base length and you just add them together, it doesn’t make any difference that it’s in this measure or that measure, whatever a cubit is. It’s still you see, they’re working with 720. 

They understood the importance of resonance in working with energy. And furthermore. When you take a cross section of the pyramid and you put the tip at the center of the moon and the moon is right next to the earth, sitting on the earth. So you have the radius of the earth and the radius of the moon being the height of that cross-section of the pyramid. And in this. Configuration. The base of the pyramid is equal to the diameter of the earth. 7920 miles. Now. The pyramid was done in cubits. The earth is measured in miles. But here we see the blending of cubits and miles in the sense that they’re still working with the basic measure of the earth and the moon as. The depth, the base of everything that we’re working with. It’s not just that it’s so many units this way and that it’s the earth itself and the moon itself that is determining these measures. So that height that I said goes up the radius of the earth is it makes sense. The height of the pyramid times two times five is going to give you the perimeter of that pyramid. And as it turns out, when the height of that pyramid is equal to the Earth’s polar radius, so you shrink it down. 

So it’s equal to just between the center of the earth and the pole. Then the perimeter of the earth, the circumference is also equal to the circumference of the pyramid, the perimeter, I should say. So the scale that you have to use is 1 to 43200. In order to get that relationship. Again. You know, what was done in Graham’s books was he talks about that number being assigned to time. The age of Pisces, plus the Age of Aquarius that we’re just entering. You add those two together, you get 4320. And that’s the only way there’s a relationship between that ratio and time. So he said that’s why they used it. You know, it’s intentional. Yes. That relationship, that ratio is intentional. But my thought is. That whoever built the giza pyramid. They knew what they were doing. Because they have so many things in there that would be almost impossible for us to replicate today. 

Even though we know it, it’s hard to build it. So. Also what I shared with you before is I use that shape and there have been books written about that shape that it’s working with energy. And so we know that. So I don’t believe that they. Had it. With this ratio just to say, hey, we are aware that there are two wages in the ratio. It’s like, ha, come on, give me a break. I they’re working with energy. They’re doing something else here. They’re working with these harmonics of time, distance and space because that’s how energy is moveing when you’re working with the radius of the sun, when you’re working with that time. But also the speed of light energy itself four 32 squared is a more important number to consider. And the photon itself, the carrier of energy that’s resonant. So the builders of the pyramid realized that in order to. Create resonance with the energetic aspects of the universe they were going to draw upon. This number four, three, two, and it’s magnitudes higher. Lower. 

Ha. Harmonizing with light has the fundamental of the energy spectrum. Is a key to enhancing energy flow. Say that again. Harmonizing with light has the fundamental of the energy spectrum is a key to enhancing energy flow? Just as we were told years ago when we were told to work with certain sizes with our geometries. So here’s another aspect about the Giza pyramid that I find a little. Bothersome. And if you go into Google and you ask for pyramid angles, you’re always going to see the cross section with the internal slope angles. You know, the slope of the outside of the pyramid, toward the center, that gives you a five ratio relationship. It’s like, oh, 51 degree, 51.82 degrees. Or in some cases, if you turn it into minutes, 51 point or 51 degrees, 51 minutes, 51, some say 49 minutes. 

The point is, everyone’s going, how did they do it? Oh, my God. It’s such an incredible thing to get the slope just right so that you could have a five ratio relationship. And that has become really irksome for me because the builders of the pyramid did not work on creating that slope angle. And I’m going to show you this in a couple different ways. Here’s a different pyramid that I constructed with four sides. It looks like the Giza pyramid. However, the slope angle of this pyramid is 54.73 degrees. And you know how I created this pyramid? I cut an octahedron in half. You see, the external angles on the Octahedron are all 60 degrees. 

That’s how you make an octahedron. You put eight triangles each, one with 60 degrees together. Now, if you cut it in half and you just look at it’s a pyramid and you look at that slope, it’s like, wow, this weird slope angle. But that’s not how you construct it. It’s just what happens automatically. It’s kind of leftover slop. It’s what you get when you cut it octahedron in half and you make a pyramid out of it. So as we saw earlier when we were looking at the different platonic solids, we were working with surface angles, we were looking with surface geometry. And when we work, Gail and I, with energy, we find that surface angles are an important aspect of the process. So again, I’m going to show you something that you’ve seen a couple of different ways with the icosahedron and Dodecahedron. I’m going to pointed out a little more clearly this time because. What you’ve got here. 

When I put in the blue of the icosahedron into all the triangles or some of them. So you get an idea where the icosahedron is. When you add the dodecahedron to it, it’s in yellow. You see how that crosses the face that the lines of the dodecahedron cross over the middle of each of the lines of the icosahedron and the points of each geometry point through the center of the other geometry. Well when you connect the points that are sticking up. That’s when you get. These diamond shapes. And. Those diamond shapes. If you take that yellow line across the length of that dodecahedron side and you divide it into the icosahedron side, what you get is five. If you make the dodecahedron one when that’s one, then the other is 1.6185. So let’s look at the face of the keys. A pyramid. And what I’m going to do. Is. 

Well, first we’ll look at the cross section so we can compare that. This is where the inside of the base is cut in half, and that’s equal to one. Then the slope of the side is five. Well, if you take the face of the Giza pyramids. And you divide it into four triangles. Each triangle is exactly the same as the large triangle. This always works inside any triangle could be a real skinny, isosceles triangle or a really fat one. When you put another triangle in this center point of each side connecting it, you get the same angles. A miniature fractal of the large triangle. So by doing that, then the cross section of the pyramid on the right. Gives us the slope angle of five. So that means from the top of this pyramid to the bottom of the pyramid, down the middle is five. And this is one the same as the cross section, which is half the side length. 

So here we’re going to go on the face and go half the side length. Call that one. And. It’s the same length as this line crossing the center. And you see what’s happening here. We are creating that same relationship between the height, a cross beam of B that’s giving us five and this is at the very center in the book’s called The Law of one by RA. It’s some of the best. Guided information that I’ve seen that is channeled. And in it, he talks about this cross on the face of the pyramid at giza. That point is the gateway to intelligent infinity. And that means it’s a multi-dimensional portal. 

And of course the person that is working with RA asking the questions of the channel said, Oh, that means this is the place in the pyramid for the person to sit to get the most energy. And one that’s true. But, you know, when information is given like this, it often means a lot more than just the first level double entendre. It goes much deeper. And what I heard Ra saying was, this is the gateway in all the geometries that work with the five ratio where you are focusing that five ratio in the form of a cross. It’s like X marks the spot, the very center, that’s the portal, that’s the doorway. And you can use that doorway to move energy because it opens to the higher dimensions. And of course, you know, just like combining the icosahedron and dodecahedron, you have that same diamond shape on the face of the pyramid at Giza. 

So you see, this is what I’m saying is that. The builder said the pyramid didn’t try to create a special angle inside. It’s just what automatically happens when you have each phase demonstrating this same five ratio relationship and what we did with geometry. Is take those 30 diamond shapes and put them together in a sphere. And that forms the unity grid. And so each one of those diamond shapes is in a five ratio relationship. We left the line in because our guidance wanted us to have 60 triangles. Each one is equal to the face of the pyramid at Giza. So here it is, the unity grid, where each triangular face is made up of the same angles as the pyramid at giza. And there’s two. One above the other, forming that diamond shape that you saw on the pyramid face. And so one triangle above the other. And this is the flat. And the next one is in a flat plain. So there are 30 flat planes, two triangles each. 

And this is 10,800 degrees. The number of degrees you get when you add the diameter of the moon and the diameter of the sun. So. Wow. This is what’s going on with the geometries that we’re working with and the resonance that they’re having with things like the Pyramids of Giza and what those builders were working with. And furthermore. And the raw material. He talks about. The importance of letting go of the pyramid at this time in our evolution and moving instead to radially created geometries that some have points just like I showed you with the star icosahedron Star Dodecahedron and some are smooth that he talks about like the unity grid. So it’s time to move to the geometries that are going to help us with our spiritual evolution. So now I’m going to share with you this star tetrahedron, that photon at the beginning of everything, it frac two lysis into the five platonic solids. 

So that means that light is the source of creation and it is the beginning of everything. And all geometries are fractals grow from the first geometry of the star tetrahedron. And this is how that works. You’ve seen where Metatron’s Cube. We’ve talked about that before, how it contains at the very center and octahedron. And then there are two tetrahedron surrounded, forming the photon and the cube. When you connect all the points and the outside. So here we have the first three platonic solids. The tetrahedron, the octahedron, and the hexahedron. So. To go from the cube to a dodecahedron. That happens when you take these little shapes that look like the top of a roof. And put them on each face of the cube, and you turn each 190 degrees so that you have the end toward the side. 

And so what? As you get closer to putting them toward the center, you start to see the Pentagon’s forming that are going to create the dodecahedron. So. Going from the cube, the next geometry that happens energetically with those little raven raised roofs, which are. Working with a very special angle we’ll talk about at a future time. That’s. Creating the dodecahedron. And then the icosahedron is the duel of the dodecahedron. So it naturally inter penetrates and is there forming this. Icosidodecahedron on the outside that we’ve seen before. So we put all of these together in what we call the cosmic egg. Where on the outside is the dodecahedron and penetrating the icosahedron? 

It is the fractal progression of the five platonic solids in one form and the outside icosahedron. It links back to the octahedron at the core as you can kind of see in that diagram, the way the purple icosahedron hits each side of the. Octahedron actually breaking it into a five ratio relationship. So the points on each side, if you take that line, it is in a five ratio relationship, the short piece to the large piece. And here it is. All the platonic solids in one geometry. The cosmic egg. As an energy. It’s very, very powerful to work with it. Is really too powerful. I found to go under the five g. It is too uncomfortable to leave it there for very long. You can spin it on top of the causal generator and work with it spinning on its own from a ceiling spinner. 

But the favorite way I have of working with it is to hold it in my lap and meditate with it and work with it in a way that is almost more contemplative. And it activates so much as I try to tune in to all the different geometries and work with it in a way where I see the cosmological diagram that is being formed through this particular geometry in the way light, fractalizis, you know, becomes something different and yet returns back to the same geometry. Yeah. 

Yeah. I’ve always found this to be a very contemplative structure to gaze into, to move it and watch it as all of the different reference points become obs. You know, they actually can speak to you. You can dove into different places. You can see all the different. Platonic solids in here and you can project yourself into it. So it’s definitely the kind of form that you want to spend time with in a very contemplative space. 

So now I want to show you a couple of the other forms that we were talking about in this class, and that is this star dodecahedron and this star icosahedron. I think we’ve talked before about the unity grid and how that works. But working with. These two forms. The Star Dodecahedron. How is. One of my favorite forms for opening the heart to meditate under this hand, to work with it in a way where, rather than to sit under a point, I sit under three points. And then what happens is you get a sense of envelopment, a sense of being held, a sense of being cocooned in an egg and being reborn. This is a geometry that is taking you far out into the universe because you have the dodecahedron working with ether and with the extra points. 

It does expand, and yet it’s expanding to a level of energy, often referred to as the Christ level of consciousness. It’s a level of consciousness that is working with compassion, that is working with divine love and divine understanding. So working with this geometry in that sense, and working with small ones where people wear them around their neck, they’ll feel their heart flutter. They’ll feel their heart opening. They’ll feel that divine connection start to work into their daily life in a way where they are beginning to feel that compassion for all that is grow in their their life. 

I think you said it all. 

Oh, I didn’t mean to. Okay. So. Then the star icosahedron. This is working with a level of. Higher light, and we often refer to that level as the level that is stimulating to the pineal and certainly meditating again between the points or under the point on this particular form, it’s creating a stimulation through the pineal, through the pituitary, and all of the hormones cascade through the body. But it’s also working with that connection with higher information guidance on very high level comes in working with the icosahedron has the intermediary, it’s working with translating tranceducing through light information and connection to universal principles. 

This is a very angelic form. People who work with angels love this form because they feel that it really helps. That angelic quality, that that resonance to be brought into their room, their home, their, you know, their space and interact with that higher vibration of the angelic realm and. It’s also another one that it’s beautiful to meditate under, and it’s another one of those forms that can spin in a room and can also be something that just inspires your creative juices. So a very, very beautiful form. 

I’ve seen where people have hung this up to use it like in a dance studio, to just work with encouraging that movement, that light, that joy that comes from a higher connection. And now I want to introduce. A very interesting new tool. And you are among the first to see this. This is the dorji of divine integration. How come back to the picture to point out some aspects of it? However, here it is. And this dorji. I been making dorjis for years. And then maybe about four, five, six years ago, I stopped with the last dorji because it wasn’t able to filter out lower thoughts from the individual using it. And so when I was looking for forms to keep selling and ones to let go of, I let that one go. However, what happened is someone called me a client that we’ve been working with a lot, and he said,. 

Do you have one I could buy? He wanted to use it for healing purposes. And I said all I had was this old one that I made for myself. I made one of the last ones, kept it. And he said, Can I buy it? So. When I picked that. dorji. I heard this is his dorji. So I called him back. I said, okay, I’ll sell it to you. It’s no longer meant for me to keep. And as soon as I did, that guidance started coming through and saying, Now we’re going to show you a new way of working with it. And this is what came out. And one of the reasons this now works in the realm where I feel good about it. Is if you look at the end, it is the divine integrator. That geometry that we saw as the four bands around the earth, that geometry, that is. Literally creating resonance with the divine in the physical dimension, connecting the foreignness of earth to the divinity of creation. 

So that’s on one end of the dorji. On the other end is a 5d star tetrahedron. So that star tetrahedron is working and advanced way over irregular star tetrahedron because it has two extra triangles that take it into higher dimensional reality. And then what we’ve done is we’ve wrapped the center with copper. But underneath that is a crystal. And this was another reason I wasn’t making them. I couldn’t find these crystals anymore. They’re manmade. And I know that an old friend of mine had purchased all the ones that this company had made, and there were no more left. And when I went to call him, I found out he had passed. However. I eventually connected with his widow and she went to her sister’s barn in another state and found some boxes of these crystals. 

So I was able to get these perfectly made manmade crystals to be used in the center of these dorjis. And then, of course, we energize and program them inside our chambers and work with magnets next to them with certain types of wrappings where we have a special caduceus wrapping in titanium over the magnets that are glued to the surface of the crystal. And then we have other components in there as well, and wrap it with silver. And on the outside, over the copper, we have a nine wraps of silver with an amethyst in the middle and at the ends of the. Crystal. We have carnelian and Labrador, right? And Rose quartz and other minerals at the very tip is a Herkimer diamond. At the other base of the divine integrator is a lapa speed, and in the center you might be able to see something that is similar to the eye connect, but it’s been specially formulated to work with the Dorjee. 

So we have that at the base working with driving that energy through and this piece is one of the most powerful tools that I have ever felt for moving energy. It can certainly be used by a healer to direct the energy in with the point, pull energy out with the rounded end, but just having it on your body and holding it so that when you have it between, say, the solar plexus and the heart or the heart in the throat, it starts to create a flow of energy between those two chakras. If you have it lying down between your legs with the rounded end toward your body, you’ll find that is ground you to the earth and flows energy through in a level that is so healing. On a cellular level, on every aspect of your energetic being, starts being activated and moved with this. And of course with any of these tools you’re working with your intent, you’re working with your focus. So you are intending for what the outcome is to be, what you are releasing, what you are bringing in, what you are allowing to transform your life. 

Yeah. Yeah. You know, in healing, it’s so important to. Work with a tool that connects you to that higher consciousness, that higher intelligence. And when you are engaged in the process to take it out as far as you can to be able to bring back the resonance of harmony, the. The ability to heal is really about how we bring ourselves back into balance again, back into connection. And this is just a very, very beautiful, lovingly made, lovingly designed tool for all of those purposes. And I also see that it has a purpose in supporting us in the transformation process that we’re all in. In the cocoon stage that work that so many of us are in, in supporting us, in elevating to that next level of who we are. It has a very, very important potential to work with in that way as well. 

All right. So we’ve covered a lot today. 

We have. We have. And how so? We have now completed five of the six sessions. The next session will be. Brought to you live. And that will be a wonderful time for you to have some questions for us. We’re going to look at what your comments are, what you’ve been sending to us so that we can respond to so much of that information and help you take this to the next level in your life. So feel free to. Take time to look at the parts of this again that perhaps you want to revisit. Take that time and you have access, full access with all of these sessions to be able to go back and use it. Use this knowledge. Use the meditations again. Whatever you find has really been important. And let it really instruct you in your life. How to come into resonance. How to come into those higher levels of you in relationship to the loving consciousness of the universe. So on that note. We are going to say our goodbyes for now and look forward to seeing you for the last session of Universal Secrets Revealed. Activate your core of Love and Power. 

Blessings. 

Blessings.